Behringer RD-6-SR Analoge Drumcomputer - Zilver

Creating authentic analog drum grooves without a bulky, expensive setup can be a challenge. The Behringer RD-6-SR Analog Drum Machine delivers the classic beat-making experience in a compact, silver metal chassis, giving you the iconic sounds of a legendary drum computer with modern connectivity.

Who is it for

This drum machine is ideal for electronic musicians, producers, and live performers who want hands-on control over their rhythms. Whether you are crafting techno, house, or experimental tracks, the RD-6-SR provides immediate, tactile sequencing with a built-in distortion for added grit.

Main features

• Analog sound engine with 8 drum voices: Bass Drum, Snare Drum, Low Tom, High Tom, Cymbal, Open Hat, Closed Hat, and Clap.
• 16-step sequencer with 256 patterns and 16 songs for complete rhythm programming.
• Switchable distortion effect to add punch and character to your beats.
• Comprehensive connectivity: MIDI In/Out/Thru (5-pin DIN), USB MIDI (USB-B), Sync In/Out (3.5mm TS), main audio out (1/4" TS), 8 individual voice outs (3.5mm TS), headphone out (3.5mm TRS), and 2 assignable trigger outs (3.5mm TS).
• Performance features: Accent, Flam, Roll, and Swing for dynamic, expressive rhythms.
• Durable metal chassis in silver finish, powered by included external DC adapter.

Specifications

• Sound Engine Type: Analog
• Number of Drum Voices: 8
• Sequencer Type: 16-step
• Number of Patterns: 256
• Number of Songs: 16
• Distortion Effect: Built-in, switchable
• MIDI Connectivity: 5-pin DIN In/Out/Thru, USB MIDI (USB-B)
• Sync Connectivity: Sync In/Out (3.5mm TS)
• Audio Outputs: Main Out (1/4" TS), 8x Individual Voice Outs (3.5mm TS)
• Headphone Output: 3.5mm TRS
• Trigger Outputs: 2x Assignable Trigger Outs (3.5mm TS)
• Performance Features: Accent, Flam, Roll, Swing
• Chassis Material: Metal
• Color: Silver
• Power Supply: External DC adapter (included)
• USB Type: USB-B

Tips

To get the most out of your RD-6-SR, experiment with the individual voice outputs to process each drum sound separately through external effects. Use the distortion effect sparingly to avoid muddiness, and sync it with other gear via Sync In/Out for tight live performances.